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(UN)Registered Savages of Aotearoa, Mata Makawa – Mata Vou | Old Face – Niu/New Face (installation view). Photo by Sam Hartnett

(UN)Registered Savages of Aotearoa 2020

Graeme Atkins, Alex Monteith and Natalie Robertson. Graeme Atkins with Biddybid. Mangarara Stream, ‘Blue Slip, Barton’s Gully’, Waiōrongomai Valley production still from, Te rerenga o Waiorongomai ki uta, ki Waiapu ki tai—The journey of Waiorongomai inland to Waiapu at the coast, 2019. Commissioned by Te Tuhi, Auckland. Courtesy of the artists.

Mana wāhine me te wai 2019

Charlotte Graham, Whakawaikawa Moana/Acidic Oceans, 2017–19 (detail). Wall-based mirror units and text installation. Photo by Sam Hartnett.

How to rescue our oceans...? 2019

Gayle Chong Kwan, Wastescape – weaving landscapes of politics, dairy and waste, 2019 (install view). Silo 6, Auckland. Commissioned by Te Tuhi, Aotearoa New Zealand, and Invisible Dust, UK, in partnership with Humber Museums Partnership. Photo by Andrew Kennedy.

Wastescape Panel Discussion 2019

Artists' Talk - Pataialii, Rundle, Novak & Nusz 2018

Bruce Barber, I Swear, 2017 (install view). Commissioned by Te Tuhi. Photo by Sam Hartnett.

Bruce Barber: I Swear 2017

Sasha Huber, Karakia – the resetting ceremony, 2015 (video still). Featuring Jeff Mahuika (Kāti Māhaki, Poutini Kāi Tahu). Courtesy of the artist

Sasha Huber: Demounting Louis Agassiz 2017

PĀNiA!, Pakuranga Customs House/Attitude Arrival Lounge, 2019 (detail). Courtesy the artist, Te Tuhi and Mokopōpaki, Tāmaki Makaurau Auckland. Photo by Sam Hartnett

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