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19 January 2002 —
24 February 2002

The Contingency of Vision

The Contingency of Vision, 2002 (installation view).
The Contingency of Vision, 2002 (installation view).
The Contingency of Vision, 2002 (installation view).
Caroline Rothwell, Orchis 5, 2001 (installation view). Vinyl. 15000mm x 5000mm.
Monique Jansen, Cadmium, 2001 (installation view). Oilstick on paper. 3500mm x 2800mm.
Susan Jowsey, Caught in the Hand, 2001 (installation view). Mixed media. Dimensions variable, elements 900mm x 600mm each.
Susan Jowsey, Caught in the Hand, 2001 (detail). Mixed media. Dimensions variable, elements 900mm x 600mm each.
Kristy Gorman, Bracket, 2001 (installation view). Oil and thread on board. 500mm x 1000mm.
Fiona Pardington, Jenny, 2001 (installation view). Lambda print. 1050mm x 1770mm.
Lisa Crowley, From The Passenger series, 2001 (installation view). Colour photographic prints. 900mm x 6000mm.
Esther Leigh, Pocked, 2001 (installation view). Builder
Nuala Gregory, China is hard to see, 2001 (installation view). Acrylic on concrete. 2100mm x 15000mm.
Joyce Campbell, Washes, 2001 (installation view). Black and white photograms. 875mm x 2625mm.
Bill Riley, Frequency (Yellow/Magenta), 2001. Oil on glass. 1000mm x 1000mm.
Jude Rae, Inversion Series 1-5, 2001 (installation view). Oil on linen. 550mm x 3100mm.

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Curator Dr Peter Shand, Senior Lecturer in Fine Arts at The University of Auckland, presents the work of twelve artists to question vision. All the artists in the exhibition investigate the contingency, uncertainty or partiality of seeing and what this might involve for an art audience.

Vision tends to be something we take for granted. Most of us spend very little time exploring or questioning the many ways in which it is shaped, mediated and experienced. The works pick out central ideas and philosophies pertaining to vision and how those have changed over the centuries.

Ephemera

→ The Contingency of Vision, 2002, exhibition card

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