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03 April 2016 —
29 May 2016

THE HIVE HUMS WITH
MANY MINDS
PART TWO

HIVE HUMS PART TWO
Mark Schroder, The new modern efficiency, 2016 (installation view). Mixed media, dimensions variable. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Mark Schroder, The new modern efficiency, 2016 (installation view). Mixed media, dimensions variable. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Mark Schroder, The new modern efficiency, 2016 (installation view). Mixed media, dimensions variable. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Mark Schroder, The new modern efficiency, 2016 (installation view). Mixed media, dimensions variable. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Reuben Moss, Simulations: flood, 2007–16 (detail). HD video, 10 mins 4 secs looped. Inkjet billboard print and timber support 3x6 metres. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Reuben Moss, Simulations: flood, 2007–16 (detail). HD video, 10 mins 4 secs looped. Inkjet billboard print and timber support 3x6 metres. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Reuben Moss, Simulations: flood, 2007–16 (installation view). HD video, 10 mins 4 secs looped. Inkjet billboard print and timber support 3x6 metres. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Reuben Moss, Simulations: flood, 2007–16 (installation view). HD video, 10 mins 4 secs looped. Inkjet billboard print and timber support 3x6 metres. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Reuben Moss, Simulations: flood, 2007–16 (detail). HD video, 10 mins 4 secs looped. Inkjet billboard print and timber support 3x6 metres. Commissioned by Te Tuhi, Auckland. Photo by Sam Hartnett.
Reuben Moss, Simulations: flood, 2007–2016 (detail)
Joanna Langford, The beautiful and the damned, 2008. Computer keyboards, cardboard, electrical wire, LED lights and timer dimensions variable. Courtesy of the artist and Jonathan Smart Gallery, Christchurch. Photo by Sam Harnett.
Max Bellamy, Avail, 2011 (installation view). HD video with sound 12 mins 24 secs looped, sound design by Chris Miller. Courtesy of the artist and Te Tuhi, Auckland. Photo by Sam Hartnett.
Max Bellamy, Avail, 2011 (installation view). HD video with sound 12 mins 24 secs looped, sound design by Chris Miller. Courtesy of the artist and Te Tuhi, Auckland. Photo by Sam Hartnett.
Max Bellamy, Avail, 2011 (installation view). HD video with sound 12 mins 24 secs looped, sound design by Chris Miller. Courtesy of the artist and Te Tuhi, Auckland. Photo by Sam Hartnett.
Max Bellamy, Avail, 2011 (video still). HD video with sound 12 mins 24 secs looped, sound design by Chris Miller. Courtesy of the artist and Te Tuhi, Auckland.
Suji Park, Dols, 2015. Plaster of Paris and pigment (buried and weathered on Waiheke Island), abandoned coffee table, dimensions variable. Courtesy of the artist and Ivan Anthony Gallery, Auckland. Photo by Sam Hartnett.
Suji Park, Dols, 2015. Plaster of Paris and pigment (buried and weathered on Waiheke Island), abandoned coffee table, dimensions variable. Courtesy of the artist and Ivan Anthony Gallery, Auckland. Photo by Sam Hartnett.
Tim J. Veling, Support Structures, 2011-13 (installation view). 6 C-type prints, 762 x 940mm each. Courtesy of the artist. Photo by Sam Hartnett.
Shahriar Asdollah-Zadeh, Pale blue dot, 2016. Acrylic, ink and pen on paper 210 x 295 each. Commissioned by Te Tuhi, Auckland.
_43A3447Shahriar Asdollah-Zadeh, Pale blue dot, 2016. Acrylic, ink and pen on paper 210 x 295 each. Commissioned by Te Tuhi, Auckland.
Shahriar Asdollah-Zadeh, Pale blue dot, 2016. Acrylic, ink and pen on paper 210 x 295 each. Commissioned by Te Tuhi, Auckland.
Salome Tanuvasa, Appreciation, 2014 (detail) mixed media, dimensions variable. Courtesy of the artist and Te Tuhi, Auckland. Photo by Sam Hartnett.
Salome Tanuvasa, Appreciation, 2014 (detail) mixed media, dimensions variable. Courtesy of the artist and Te Tuhi, Auckland. Photo by Sam Hartnett.
Salome Tanuvasa, Appreciation, 2014 (detail) mixed media, dimensions variable. Courtesy of the artist and Te Tuhi, Auckland. Photo by Sam Hartnett.

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Welcome to the hive, where a global population of seven billion bodies and minds are linked by road networks and rail lines, shipping lanes and flight paths, submarine cables and satellites, electrical grids and server farms. These immense infrastructures are completely dependent upon the plans of engineers, designers, programmers and the countless others who build, maintain or legislate their use. Yet despite its impervious appearance, this hive of civilisation is continually put to the test as terrestrial and human forces seek out weaknesses and fight for control – be that through social, political, economic or environmental pressure.

THE HIVE HUMS WITH MANY MINDS explores how these vast global mechanisms shape the local reality in Aotearoa New Zealand. Sprawling abundantly over two venues, this exhibition features an eclectic constellation of artworks ranging from large immersive video and sculptural installations to contemplative photographs and drawings.

The selected artworks provide meditations on either industrial, urban or information infrastructures. Using these three sub-themes, the 14 featured artists tap into a tangled mass of interrelated issues including information control, global mobility, migration, sovereignty, colonisation, environmental destruction, urbanism, oversaturated mediascapes, social emergence and material residues of the Anthropocene.

PART TWO is a Te Tuhi Offsite exhibition held at Silo 6 featuring a large-scale video and billboard installation by Reuben Moss plus a rich variety of video, photographic and sculptural works by Louisa Afoa, Shahriar Asdollah-Zadeh, Max Bellamy, Joanna Langford, Suji Park, Mark Schroder, Salome Tanuvasa and Tim J. Veling.

 

Click here for PART ONE

 

Download

THE HIVE HUMS WITH MANY MINDS PART TWO - Exhibition Guide

 

Press

THE HIVE HUMS WITH MANY MINDS - Radio New Zealand

Three exhibitions you must see in Auckland now - Ocula

Great Art Moment in Auckland in 2016 -  The Pantograph Punch

THE HIVE HUMS WITH MANY MINDS PART TWO - Circuit

 

All exhibitions are currently offsite due to disruptions caused by the Pakuranga Eastern Busway construction. The building remains open for classes and other activities. 21 William Roberts Road, Pakuranga, is the best address to enter into navigation apps to guide you to the free parking at our door.

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