Sierra’s Destroyed Word continues this line of enquiry and is part of a body of work that includes works such as Submission (2006–07), NO Global Tour (2009–12) and Burned Word (2012), that feature singular giant words constructed or positioned in specific locations that resonate with the harsh economic realities of capitalism. This publication documents the 2013 exhibition at Te Tuhi and includes a contextual essay by former Senior Curator Bruce E. Phillips.