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28 October 2003 —
23 November 2003

at home with textiles

Handycrafts: at home with textiles, 2003 (installation view).
Handycrafts: at home with textiles, 2003 (installation view).
Handycrafts: at home with textiles, 2003 (installation view).
Elizabeth Andrews, Gossip, rag rug, with the permission of Jennifer Pudney.
Lauren Lysaght, iMum (more megabytes thatn you
Nicola Jackson, Jaundice.
Dana Pratt, Every Stitch has a Memory.
Elizabeth Andrews.
Tatyanna Meharry, Pack Up Your Troubles...
Jane van Keulen, Christine
Megan Ruth Hansen-Knarhoi, Kit(s)ch(ick)en, (installation view).
Fran Allison, Make a Rabbit from a Sock (Make a Lei from a Frock), (installation view).
Wendy Griffin, Self-Covered Button.
Diana Parkes, Contemporary Sugar Bag Apron.
Karl Chitham, (installation view).
Karl Chitham, Handyman-ken (katy) (right), (installation view).
Vita Cochran, Zip Bag.
Vita Cochran.
Vita Cochran, Button Bag.
Kelly Thompson, Smart Bombs.
Marina McPherson, Techno Sampler.
Maureen Lander, Moth Catcher Kitsets, (installation view).
Maureen Lander, Moth Catcher Kitsets, (detail).
Toi Te Rito Maihi.
Toi Te Rito Maihi.
Mireille Lasseuer, Closure, (installation view).
Monique Redmond.
Monique Redmond, Ulla, Powhiri in Kensington.
Pauline Bern.
Pauline Bern.
Sue Upritchard, Sue Upritchard
Suzette Ellims, Occasional Seating
Andrea Chandler, Weed Mat.


Handycrafts: at home with textiles provides an opportunity to explore contemporary textile objects through the historical view of the projects presented in women’s magazines of mid-twentieth century New Zealand and to look particularly at the influence those publications can have on the objects we make.

Handycrafts features work from artists who share a textiles sensibility. All the work exhibited in Handycrafts was made in response to an artist’s brief which asked makers to design a craft project for a hypothetical magazine. For some of these makers, textiles are primary to their ways of working and thinking, for others not. While the textiles qualities in all the works are present, its classification as ‘jewellery’ or ‘installation sculpture’ may not address this presence. Handycrafts is interested in the ‘textile-ness’ of all this work and in the lineage it shares as it traverses various territories.

This show oozes nostalgia, memory and homeliness. Many of these artists speak of the significance of mothers and grandmothers – the craft skills they practiced and the things they made. This is not a superficial trend-led narrative. This is content deeply ingrained in whānau, culture and social history. However there is more here than wistful sentiment and cosiness. These makers also respond with humour, wit and a profound sense of respect for the generations of makers who have preceded them.

The exhibition Handycrafts is an initial undertaking for the OBJECTSPACE project that aims to establish a space for exhibitions and activities within the fields of Design and Craft.


→ Crafty artists turn to reminiscence, New Zealand Herald, 5-11-20


→ Handycrafts: at home with textiles, 2003, publication


→ Handycrafts: at home with textiles, 2003, exhibition card

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