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contemporary
art

29 September 1985 —
27 October 1985

The Folding Image

The Folding Image, 1985 (installation view).
The Folding Image, 1985 (installation view).
The Folding Image, 1985 (installation view).
The Folding Image, 1985 (installation view).
Ralph Hotere, Untitled, (installation view). Cedar, stainless steel, acrylic on board.
The Folding Image, 1985 (installation view).
Greer Twiss, Untitled, 1985 (installation view).
Carol Davis, Akarana Calypso, 1985 (installation view). Dye painted silk.
Sylvia Siddell, Dragon
Graham Snowden, Untitled, 1985. Spray, enamel, acrylic, oil on board.
Graham Snowden, Untitled, 1985 (installation view). Spray, enamel, acrylic, oil on board.
Jane Zusters, Untitled, 1985 (installation view).
Paul Radford, Honeymoon Suite, 1985 (installation view). Alkyd on board. 1470mm x 1810mm
Dick Frizzell, Untitled, 1985 (installation view).
Ingrid Banwell, Close To Home, 1985 (installation view).
Don Binney, Attributes Creative Material, Natural, 1985 (installation view). Black and white photographs, acrylic on board.
Dick Frizzell, Untitled, 1985 (installation view).
Denys Watkins, Cone
Carole Shepheard, Four Directions, 1985 (installation view 1).
Carole Shepheard, Four Directions, 1985 (installation view).

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Screens designed and painted by New Zealand’s foremost contemporary artists - this is the novel idea for the exhibition Artists’ Screens: The Folding Image at the Fisher Gallery.

For millennia the folding screen has played a special part in art and decor (especially Japanese). At first designed almost purely as utilitarian objects, they cam more and more to perform a decorative function. While a screen is intended to serve as a room divider (i.e. to create a movable wall standing free in space) it has also been the medium for some of the most colourful and exuberant expressions of the painter’s art. Artists are free from the conventions and restraints of formal painting and able to work in a more liberated manner.

Ephemera

The Folding Image, 1985, exhibition card

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