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ATE Journal of Māori Art Volume Three

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ATE Journal of Māori Art Volume Two, 2020. Co-edited by Bridget Reweti & Matariki Williams. Paperback, full colour. 260mm x 185mm, 122pp. Edition of 550. Published by ATE Press, Whakatāne and Ōtepoti.
ATE Journal of Māori Art Volume Two, 2020. Co-edited by Bridget Reweti & Matariki Williams. Paperback, full colour. 260mm x 185mm, 122pp. Edition of 550. Published by ATE Press, Whakatāne and Ōtepoti.
ATE Journal of Māori Art Volume Two, 2020. Co-edited by Bridget Reweti & Matariki Williams. Paperback, full colour. 260mm x 185mm, 122pp. Edition of 550. Published by ATE Press, Whakatāne and Ōtepoti.

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ATE Journal of Māori Art is an annual, peer-reviewed journal with an explicit focus on Māori art, artists and art movements. 

Volume Three was developed during a 2021 wānanga held with writers, Dr Rachael Buchanan, Ane Tonga and Israel Randell with support from our designer Chloe Reweti, editorial board member Dr Sean Mallon and previous ATE writer Dr Nina Tonga.

Articles in Volume Three reflect the breadth and beauty of ngā toi Māori including the Motunui Epa, Kauae Raro, HOEA! Gallery and Project Space, Wairau Māori Art Gallery, ĀKINA Contemporary Art Gallery and Mataaho Collective. We are also pleased to include a republished text from Dr Peter Brunt and two republished poems from Rūānuku Emeritus Professor Ngāhuia te Awekōtuku and essa may ranapiri.

ATE was launched in June 2019 by co-editors Matariki Williams (Ngāi Tūhoe, Ngāti Whakaue, Ngāti Hauiti, Taranaki) and Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi). Volume Two launched in December 2020 and Volume Three launched in December 2022. 

“There is still a place for a hard-copy journal with ATE’s particular focus, range of voices and contributions. We are reminded of the late Pacific Studies scholar Teresia Teaiwa, who urged indigenous scholars “…to make our own archives” and we see ATE advancing this never- ending and constantly urgent project.”

– ATE Editorial Board

About the co-editors

Bridget Reweti is an artist and curator from Ngāti Ranginui and Ngāi Te Rangi in Tauranga Moana. Her lens-based practice centres on Indigenous landscape perspectives and she is the 2020–21 Frances Hodgkins Fellow at Otago University. Bridget has a collaborative practice with Mata Aho Collective, and is co-curator of Māori Moving Image: An Open Archive. Bridget has a vested interest in making space – from governance to operations to audience – for more Māori to feel safe and brave in the arts.

Matariki Williams, Ngāi Tūhoe, Ngāti Hauiti, Taranaki, Ngāti Whakaue, is a Curator Mātauranga Māori at Te Papa Tongarewa, and a writer and editor. She is the co-author of the award-winning Protest Tautohetohe: Objects of Resistance, Persistence and Defiance. Her writing has appeared in various print and online publications including frieze, Art in America, Art Zone, Pantograph Punch, PhotoForum and The Spinoff. She is a Trustee for Contemporary HUM, and former board member for Museums Aotearoa and the National Digital Forum.

ISSN 2624-4446

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